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History of the Channel Club, Boston.

Joe Cicerone founded The Channel in 1980, choosing the name because the club sat at the edge of the Fort Point Channel, which separates South Boston from the Financial District. The club was on the other side and a little South of where the Boston Tea Party took place (old Griffin’s Wharf) in 1773. In 1990, Harry and Peter Booras, the last owners of the club, filed for chapter 11. The doors closed on December 31, 1991. There were rumors that mob boss Frank Salemme had a foothold in the club, and these rumors proliferated after The Channel reopened its doors as an exotic dance club, which closed after less than a year. His son, Frank Salemme Jr., was listed for a time as the assistant manager of the club. In the late 1990s, developers demolished the building to make way for Big Dig construction.

In the mid to late 1980s, the club was in its prime. Local up and coming Boston bands relished the opportunity to make it to this stage and plug in. The wall of sound was provided by the soundman Dinky Dawson. He had settled in Boston from his native England, where he had made a name for himself in the 60’s and 70’s from his road work with bands like Fleetwood Mac, The Byrds, The Kinks to name but a few. Many of these old acquaintances like Mick Fleetwood or John McVie were seen milling about The Channel visiting with Dinky on the occasion that they were in Boston. The sound system that Dinky owned and brought with him to The Channel was rumored to include the same sound cabinets that first blasted Manfred Mann’s “Doo Wa Diddy” in a recording studio back in London in 1964. Dinky’s colorful past is well documented in the book Life on the Road published by Billboard Books in 1998.

The club’s first official full-time DJ was Carter Alan. Carter was a popular DJ at Boston’s WBCN when the club first opened. Carter works at WZLX in Boston today. Many other WBCN DJ’s worked as fill in jocks like Albert O, Tami Heide, Bradley Jay (DJ), and Peter Choyce. Debbie Southwood-Smith, Mike Idlis and Mod Todd (Todd Nichols/WGIR-FM) ushered in the mid to late eighties era along with BCN’s Metal Mike, DJ “Black Starliner” and Jim Mitchell. Also included in this category of Channel deejays are Carmelita (WBCN, WAAF) and Janet Planet (circa 1983-1987), who also worked the Nu Musik Nights, Shred (WERS, WBCN) and Hugh Munoz (1980-1983), creator of Metrowave on WERS.

The Channel had a legal capacity of 1,700, although management often oversold the venue for major acts. Upon entering the club, the patron faced a large raised wooden corral that provided a view of the stage from the far end. The look of the venue was that of the classic roadhouse. The 4′ high stage faced a 20′ square sunken dance floor, nicknamed “the pit”, which was surrounded by drink rails and tables with padded stools. For punk rock and metal shows, the management locked this furniture up in the coat room. When the bands were playing and the crowd was jumping, the entire wooden floor often bounced up and down, causing the 15′ high PA system, to sway precariously back and forth.

In addition to a dozen bar stations (the Channel bartenders were some of the best in the city), the club had a concession stand that sold hot dogs, candy, soda, and popcorn, as well as official club merchandise (t-shirts, jackets, sweatpants, etc.). Directly behind that was a semi-private game room with a half dozen video games.

There was also a back bar area that had the ability to be closed off during all-ages shows by lowering metal grates over the window openings. All ingress/egress was restricted to a single door that was manned by a bouncer who checked for hand stamps to allow the over 21 crowd to enter for a drink, as well as prevent them from bringing alcoholic beverages out into the rest of the club with the underage crowd.

To the rear of the back bar area was yet another, smaller room that was usually closed off on nights when the club wasn’t sold out. This was known as the VIP room, and regularly played host to artists like Jimmy Page, U2 and Aerosmith when they were in town and wanted a private place to sit with friends and have a few drinks.

Depending on who was playing, the pit would become a mass of sweaty skinheads, punks, metalheads, goth kids and the occasional hippie slamming into each other. In the late 80’s, shows would be stopped because kids were getting too violent. The bouncers had a notorious reputation of brutality, and there certainly were a number of incidents where this was the case.

The Channel started out booking new wave bands such as Human Sexual Response, Jon Butcher Axis, and The Cars. During the early and mid-80s heyday of hardcore and punk, bands like Hüsker Dü, Black Flag, Dead Kennedys and Minor Threat were headline acts. Later, local bands such as The Pixies played alongside major touring acts such as Big Audio Dynamite, Los Lobos, The Damned, and Einstürzende Neubauten.

The Channel was booked by Warren Scott from 1980 to 1991, and was not limited to punk/metal bands. The Godfather of Soul, James Brown played there, as did jazz legend Ornette Coleman. Classic shows of note have included Jerry Lee Lewis, Gregg Allman, Eric Burdon, Meat Loaf, The Go-Go’s, The B-52’s and Steppenwolf. Live radio station broadcasts also packed in large crowds. Often, the Channel became the first or last stop for many major tours.

The club also regularly booked reggae shows featuring acts such as Yellowman, Dennis Brown, Steel Pulse, Toots & the Maytals, Burning Spear, and Black Uhuru. Blues greats B.B. King, John Lee Hooker, Charlie Musselwhite, James Cotton, Junior Wells and Buddy Guy (as featured from 1989 as a bonus on the end of the 2007 DVD “Junior Wells Live At Nightstage”), Pinetop Perkins graced the stage on more than one occasion.

Bruce Replogle, who worked as publicist for John Lennon and Yoko Ono, served as the director of advertising and publicity for The Channel.

Channel Personnel

Management/Office: Jack Burke, Harry Bores, Peter Bores, Steve Marullo (lawyer/owner), Kostas & Litza Menounous, Gregory (maintenance), Warren “Jazzy” Scott (booking), Brian Washburn (booking), Dave Mars (booking), David Alexander (Ent. Network), Mike Carr (Ent.Network), Tony Raine, Lisa St. John (art), Jackie (art), Diane (art), Peter Lembo, Brad Mindich, Dinky Dawson (sound/Production), Andrew Arsenal (production), Norman Cook (sound), Tim Hines (sound), Tim Miller (sound), Tom Hodges (sound), Dan Bernini (sound), Doug (sound), Adam (sound), Dave Berndt (lights), Martin Favorite (lights), Steve “Baklava” Bavacqua (bar), Mike Smith (bar), Johnny Barnes (Security), Sean McNally (security), Kelly Stone (front office daytime, security or bar at night)

Day time Secretary 1980-85 Linda Halon

Sound / Lights/Production:

Stage manager 1980-85 Peter G

Lights 1980-85 Rocky, 1982-91 Dave Berndt , 1984-91 Martin Favorite Sound 1980-85 Norman Cook, Lenny Rosengard

Sound Production staff from 1986-1991 Andrew Arsenal (Production),Dinky Dawson (Sound/Production),David Wentling, Tim Miller, Tim Hines, Doug Winiki, Scott Pearlman, Tom Hodges, Diana Martin ,Anne Goade, Paul Haggar, Paul McCabe, Tom Strait, Peter St John, Jeff Karlson, Kenny Dushane, Steven Khiralla (Mantis) Production assistant


Head Security 1980-85 Roland Brenton, J.J. Head of security early years.

Staff 1986-1991, Sean McNally, Kelly Stone,Keith “Rhubarb” Shilts, Brian “B.A.” Ahern, Carlos Lopez,Sean O’Brien, Bobby “Bongo” Longo, Sean Murphy,Tim Walsh, Chuck Nassarella, Jason Longo, Franko Catizone,Ray Minor,Michelle Faulkner, Jon Willis, Rick George, Krash, John King, Joe Feloni, Ron Holliday, Joe Manning,John Sprague,Jim Thompson,Vincent Panatierre, Rob Longo,Andrea Gonzales, Bill “Tiny” Sanford,Ted Thomas,Jim Ridge,Tom,Matt,Adam,John, Tate, Roger.

Concessions: Debbie Longo, Debbie Booras, Nancy Anderson, Alan, Eric Fitzgerald, Liz, Sue Bellis, Mary Ellen & Janet Ruggieri, Joanne Hendry, Ardi Lane


Staff Bartender 1980-85 Patti-Anne Suleski 1986-991,Mike Smith (Bar Manager),Steve Bevacqua (Bar Manager),Sandy ?,Roseanne Lilly, Domingo Barreras, Denise Nielson, Dollar Bill Lucky, Ralph Moore, Keith Fanning, Morris Behan, Regina Asmutis, Gail Malucci, Anne Rearick, Jackie Mahoney, Adam Carriuolo, Ronnie Mendez, Mike Murphy, Ronny Mendes, Lisa Carriuolo, Roseanne Sauer, Bonnie Murphy, Georgia Wood, Tracy Doolittle,Ally Fisher, Kevin Ridge, Katy, Carolyn. 

Waitstaff: Melissa Sittenger, Woodie, Christen Tepper, Randi Barber, Tracey Barber, Kathy, Rochelle, Diane Day, Kelly Fisher,


Staff 1980-85 Hugh Munoz 1986-1991Janet Planet, Todd Nichols, Black Star Liner (Kevin Aylmer),“Metal” Mike Colucci John Marino, Mike Idlis, Debbie Southwood Smith, Jim Mitchell, Tami Heidi, Shred, Carmelita, Jim Mitchell, Ted Cardoza. 

More about Stuart “Dinky” Dawson:
Author, producer, engineer and designer, Dinky Dawson is a legend in the music industry, a true innovator and visionary in the field of sound. He has worked with artists from the entire spectrum of music from Fleetwood Mac and Randy Newman to Liberace and Carol Channing in “Hello Dolly” to Miles Davis and New Kids on the Block. Channel Sound contractor from 1986-1991, Production manager 1986 -1991.